Lawrence accompanied by violin and cello. A snippet of a piano recital shown from a former evacuation site for earthquake and tsunami victims comes alive as he rifts on his theme from Nagisa Oshima’s Merry Christmas, Mr. We come to find exactly how his perspective has shifted over the past couple decades, and how that has not only informed his lifestyle but his music, as well. It is easy to get swept up in the passion with which Sakamoto speaks out against this and other environmental catastrophes. It is only our first glimpse into Sakamoto the environmentalist, next seen in full hazmat suit exploring the restricted contamination zone of the Fukushima nuclear disaster. ![]() The composer is immensely fascinated by the haunted past of this instrument, and his tickling of the tainted ivories feels as if he is communing with spirits long gone. ![]() We first find Sakamoto coming across a baby grand piano in Northeast Japan that survived the 2011 tsunami but retains the stains from being partially submerged.
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